Sunday, May 23, 2010

11/ 1900s to 2010 - A Visual History

The following is a collection of Vogue covers since the early 1900s to 2010. These covers alone illustrate the enormous factors that have shaped fashion photography over the decades. These factors include much more than the evolution of fashion. The medium, lighting, styling, focus, use of text, graphics, props, posing, use of colour and of course digital retouching and manipulation all contribute to the evolution of the published image in fashion photography. These covers are also an indication of the digital technology was available at the time of capture and enforce various gender attributes reflective of the time of publication.

This research aims to help define the factors that have changed the nature of fashion photography since the 1900s. It forms the basis of research and does not aim to represent everything that was published in a particular era, that would be impossible to accumulate.

1910
1920s
1930s



1940s



1950s


1960s



1970s

1980s

1990s

2001

2002


2003

2004

2005

2006


2007

2008

2009

2010

Source: Lenssen, P 2006, Cover Browser, viewed 24 May 2010, [http://www.coverbrowser.com/covers/vogue].

10/ Top Fashion Photographers Around the World

The following is a list of famous or well known photographers around the world, which I will continually update as I research. If I have missed anyone important please let me know! I am focusing on contemporary photographers.

It would be wonderful if there was one website which listed the top photographers in each country. I have composed the following list by surfing the internet for hours and evaluating each of the photographers I came across based on their quality of work, clientele and publications. Most of these photographers have shot for Vogue or any of the magazines listed below and/or have shot for immense companies including Telstra, NRMA, Gucci, Covergirl, etc. I found most of these photographers by searching for ‘Vogue photographers’ for example, or searching for specific campaigns (e.g. the current Gucci Campaign) and researching who the photographer is behind the images. Television shows such as Top Model also revealed amazing successful photographers such as Mike Ruiz and Jez Smith. A particular site which was an excellent resource in compiling this list was http://www.top-fashion-photographers.info/fashion-photographers.html.


AUSTRALIA
Richard Bailey (Vogue)
Henryk Hobaczewski (Culture)
Peter Rosetzky
Brooke Coffey

ASIA
Quentin Shih (Beijing)

NT AMERICA
Annie Leibovitz (US)
Russel James (NY)
Yossi Michaeli (NY)
Mike Ruiz (NY)

Friday, May 21, 2010

Names for Exhibition

RAW (has this been used?)


SPY


UP

Tuesday, May 18, 2010

9/ The Dove Evolution



http://www.youtube.com/watch?v=iYhCn0jf46U

This video visually demonstrates the process of how a fashion photograph may be created, from the time that the image is captured to the output of the image. It shows how styling, lighting, props play a part in the final product of the image but more importantly it shows the extent to which some photographs are edited in post production, to the point where even the model’s features and proportions are altered. The video demonstrates that our perception of beauty as a society can be distorted as a result of the fashion photography industry.

Is it worth publishing next to this image a statement like 'this image has been dramatically altered?'. Almost everything (if not everything) in fashion photography is altered, so this statement would have to be published next to almost everything, so would it lose effect? And is it implying that society does not already know this? I am thinking about these questions as I ask them. I do not think that society is ignorant, people know that photographs are retouched. What I don't think that the majority of society knows is to what extent these images are retouched, because even with my background and experience I still found this video disturbing as a result of the extremity in editing and the idea that the final product does not even look like the model. Perhaps statements along the lines of this should be published next to images that have been edited past the stage of basic colour, skin and composite corrections. Then the statement will be more rare and at least those who bother to read it will be more informed. Of course a statement like this will not 'fix' the effect that this industry has had on society, because most of what we encode is at a subconscious level, but I think it's a start.

As a photographer specialising in fashion, what is my stance?

The effect that fashion photography and advertising has on society is daunting, so stepping into this industry, as exciting as it is I am cautious. When I began this course I thought I would go down the track of photojournalism, and now I have found myself in love with fashion, completely opposing fields in terms of ethics, style and 'truth'. Not to say that all I will ever shoot is fashion, I still love documenting what is around me.

We all know that an image is different from the time that the shutter is released to the time that it goes to print. However, how dramatic these changes are is what is causing problems in society. Most of what I do now is altered in terms of colour, contrast, clarity, and retouching of the skin. The digital revolution has come a long way since dodging and burning in the darkroom, and it would be unrealistic to say that I do not alter my images. However, I would not alter my images as dramatically as in the example above, to the extent of changing the subject's facial proportions. But I will continue to enhance my images in the way that is natural to this field of photography.

Dove Evolution, c2007, Dove Evolution, viewed 15 March 2010, [http://www.youtube.com/watch?v=iYhCn0jf46U].

Monday, May 17, 2010

8/ Pinpointing Style

Tues 27 April

SET TASK:

  • Read sheet
  • Identify 3 contemporary fashion photos, one Australian based
  • Analyse each style; 'what makes a specific photographic style in fashion photography?'
  • 3-4 images of each photographer
  • dot points of ideas
RESPONSE:

I have been asked to analyze the style of three contemporary photographers. I have chosen to analyse the work of some of my favourite photographers, Nikola Studiovski, Jez Smith and Mike Ruiz. I feel that looking at a set of images from each photographer will give me a better indication of their style rather than dissecting a couple of photographs. For each photographer I have selected images and included them in this document as thumbnails so that I can attempt to identify common denominators in each collection of work to help me define style.

NIK STUDIOS

Nikola Studiovski is an Australian based fashion photographer who has had over 15 years experience in photography, makeup artistry, styling and digital editing.

  • Highly glamorous photographs selling a style and a feeling
  • Glamourises fashion as a desirable lifestyle. The models in most photograph look strong and content with themselves
  • Dramatic makeup and styling with use of strong colours such as red
  • Strong posing in each and every frame. Sexual, deliberate, emphasizing the contours and qualities of the female body
  • Majority consist of soft diffused front lit lighting in the female collection photographs. 1:2 ratio, no harsh shadows
  • Heavily photoshopped – no blemishes on skin, skin has been softened. Texture has been minimised
  • Majority of the backgrounds are photographed and then retouched in photoshop either adding simple graphics such as a grid, or a gradient
  • The use of text in each image reinforces not only the photographer’s name but also the nature of fashion photographs traditionally combined with text as an integral element of the final product
  • The female is portrayed in most photographs as strong and content with herself and her sexuality
  • Colour is generally vibrant and an important element of design
  • I would say that Studiovski has an identifiable signature style in that I could in most instances speculate something was his work without knowing for a fact
  • Studiovski mainly works in the studio but he also has some amazing location work
  • The majority of photographs do not show the models smiling

JEZ SMITH (Uk)

Jez Smith is a UK based photographer who specializes in fashion, editorial and advertising images.

  • Each element of every photograph has been carefully considered – the makeup, styling, lighting, concept
  • Many photographs are desaturated
  • Lighting is a key element in Smith’s photographs. Many of his shots are side lit and therefore dramatic
  • Smith mostly works on location. Each photograph is set apart by a distinctive setting which has been well thought out in terms of the clothing
  • Contrast is a key element in smith’s work and is usually high
  • Shadows (as a result of the lighting) are also a distinctive element and are used to dramatise the effect of lighting even more
  • Nudity is not a common element of Smith's work but sex appeal is a strong theme. The level of sex appeal and nudity can be described as minimal and tasteful

MIKE RUIZ (New York)

Mike Ruiz specializes in high end fashion and is also based in New York. Ruiz is a famous fashion photographer who has worked for major magazines and with a number of celebrities.

  • Ruiz’s portfolio consists of various series of work, which are tied together by a particular style and the same lighting. For example, the ‘leaf’ series below, where each shot shows a different garment but each photograph is a centered headshot with a black background and front lit soft lighting
  • Each series has a strong element which makes the photographs stand out more than a typical headshot. Garments, makeup, posing and other props are used or exaggerated to create this
  • Ruiz predominantly uses soft lighting which is further seemingly contrasted in post production
  • Each image has undergone vigorous post production and is a highly polished product
  • The majority of Ruiz’s work, both location and studio, incorporate the use of flash as opposed to ambient lighting

What makes a specific photographic style in fashion photography?

Style in fashion photography is a combination of various elements in a photograph which compose the final product. These elements include lighting, makeup, posing, fashion styling, props, composition, balance, texture, depth of field, etc. Style can be defined using these elements to support it. Just as in each photograph some elements are more important than others, in a collection of work by a specific photographer some elements are more dominant than others. It is these elements that set apart one signature style from another. For example Nik Studios work can be described as predominantly studio composites which incorporate a strong use of colours, soft lighting, strong feministic poses and highly retouched products. Alternatively, Smith uses interesting and distinctive locations combined with harsh directional lighting which emphasies not only a certain style but also a moody photograph. Ruiz works predominantly in series which are tied together by a particular element such as highly dramatic makeup and similar posing. These descriptions are based on a selection of each photographer’s work so to accurately measure style one must look at each photographer’s work as a complete whole. However, this does serve as a start to pinpointing a signature style in fashion photography.

These views are subjective and 'style' is not quantitative so it is difficult to define.

Tuesday, May 11, 2010

Checkpoint 5

Beauty


























Gucci Campaign




























Helmut Newton Inspired











































































Deoderant Campaign


Shoots 5

Studio Shot
With this image I aimed for a simple bold graphic look. I may need a graphic designer to straighten up the ropes.
Makeup & Hair: Maria
Model: Zoe
Styling & Photog: Tina Nikolovski























Some other shots from this shoot:





































This will be instead of the Mirror shot in Checkpoint one
Hair, Styling & Photog by Tina Nikolovski
Makeup by Kat Vrkic



This isn't actually part of my shot list but it's possibly one of my fav photos I've ever taken
Photography by Tina Nikolovski
Hair & Styling by Tina Nikolovski
Makeup by Kat Vrkic


Some more from the Train Shoot:


Covershot:

Photography by Tina Nikolovski
Makeup & Hair by Mia Maria



Gucci Campaign:
Photography & Styling by Tina Nikolovski
Makeup & Hair by Sophia Cabrera






Definitely one of my favourite shoots ever. I'm excited because this was Zoe's first shoot, and she took direction extremely well. Since then I have done a few more shoots with her and apart from the fact that she is so beautiful I really think she was born to be a model.

Deodorant Ad #3


Deodorant Ad # 4



Ambient window light
ISO 500 (A bit noisy:( I really want the Mark II)
This was actually pretty hard to shoot with no camera stand, I was balancing on a table trying to get the camera as parallel as I could using a 90th of a second and focusing on the eyes. Also as usual, one model looks much better in one photo and the other model looks much better in another. I think this worked well as 'the shot', people get the idea lol. These two are the 'humorous' part of my deodorant campaign.

Improvements for the future:
  • Use a camera with a better ISO for complete ambient light
  • If that is not possible maybe try bouncing some light from a 580 on the ceiling on a very low setting, so that it doesn't destroy the ambient light and does not cast unattractive shadows

Saturday, May 8, 2010

Work Experience Time Log


1. Friday 7 May 10
2 hours with Hilary Wardaugh - family portrait photography + newborn

Monday, May 3, 2010

Checkpoint 4

DEODORANT CAMPAIGN
Deodorant 1
reshot with younger model as planned, same lighting
need to adjust text
Deoderant 2
As a part of the same series
LOREAL HAIR AD
Hair & Model: Katarina
Makeup & Styling: Tina Nikolovski


REVLON (MAKEUP)
Model: Harriet
Makeup: Grace Commisso